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Fleur Adcock, in full Kareen Fleur Adcock, (born February 10, 1934, Papakura, New Zealand), New Zealand-born British poet known for her tranquil domestic lyrics intercut with flashes of irony and glimpses of the fantastic and the macabre.
Adcock’s family moved to England in 1939 but returned to New Zealand in 1947. After earning degrees at Wellington Girls’ College and Victoria University of Wellington, she served as lecturer and librarian at a number of New Zealand institutions before permanently immigrating to England in 1963.
Adcock’s first collection of poetry, The Eye of the Hurricane, appeared the following year. In that and subsequent volumes—including Tigers (1967), High Tide in the Garden (1971), The Incident Book (1986), Time Zones (1991), and Looking Back (1997)—Adcock brought a measured, Classical detachment to bear upon the vagaries of emotional experience. The Inner Harbour (1979) is generally cited as her most artistically successful work. Her later collections included Poems, 1960–2000 (2000), Dragon Talk (2010), The Land Ballot (2015), and Hoard (2017).
In addition to writing, Adcock served as a commentator on poetry for the British Broadcasting Corporation. She was also noted for her work translating medieval Latin and contemporary Romanian poetry. Adcock edited several works as well, including The Oxford Book of Contemporary New Zealand Poetry (1982) and (with Jacqueline Simms) The Oxford Book of Creatures (1995).
Adcock became a fellow of the Royal Society of Literature in 1984 and was made an Officer of the British Empire (OBE) in 1996. She was awarded the Queen’s Gold Medal for Poetry in 2006 and received the New Zealand Order of Merit in 2008.
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